“Kasaipwalova”
deals with a remarkably serious topic, that is, racial discrimination. As others
have noted, it is similar to Tale of the
Tikongs in terms of documenting a native way of life being encroached on by
outsiders. But the tale is told relatively lightly. It does not have the same
subtle sharpness to it as Tale of the
Tikongs and is told in a more triumphant manner as our narrator dismisses
the officers as “puppies” and ultimately succeeds in standing up to them. The
narrator’s general blasé attitude allows for the story to be more palatable
while still grappling with the unpleasantness of the actual events, and the
humor makes the narrator and the other students more sympathetic to us. The
police are not just the villains because of their abuse of the law, but from a
story perspective, because of their humorlessness too.
Voltaire’s Candide also discusses what should be
serious topics; Candide faces war, disaster, and believes that many people he
cares about are lost or dead. Different characters get abducted or enslaved or
sentenced to death. And yet the humor is not in spite of but because of these
things. Voltaire uses the absurdity of the magnitude of their misfortune to
inspire laughter. Of course these are all horrible things, but the fact they
keep piling up causes readers’ sympathy to reach a breaking point and turn into
disbelief, which then allows for amusement. It is no different than when
someone going through a rough time might burst out laughing at the next
misfortune. At a certain point, humor provides a release that helps to puncture
the painful pressures of bad luck and bad experiences, and Voltaire plays with
this by amping up the misfortune and presenting us with more and more
ridiculous situations, like El Dorado.
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